A Practical Approach to Television Violence         As difficult as this issue is, I believe it gutter be addressed. My report shows that just round progress has already begun in several areas. Attention necessarily to be spunk on how and why some programming has begun to move in the right bang and why the rest has not. What this issue needs, much than anything else, is cool heads on all sides of the problem: the network executives, the original community, the government, researchers and advocacy groups. All sides need to worry less most how each development affects only them and instead look at the needs of everyone.(U.C.L.A. 5)         In the broadcast world, the four television networks, ABC, CBS, FOX, and NBC, occupy begun to trance the message about television violence. The programming they altogether control, series and television movies, has, for the closely part shown some undimmed signs and now reflects, on the whole, relati vely a couple of(prenominal)er issues of resuscitate as compared to other network television formats. I struggle that this is a result of consumer pressure, rather that governmental regulation. The violence contained in the most disturbing television series is minor in comparison to that contained in theatrical films shown on network television. And that violence, modify as it is, is tame compared to films shown in theaters, in home videos and on pay cable.         Today, we see few programs with violence as their primaeval theme. More programming uses violence healthy or does not use it at all. The public seems to be responding. Of the top 30 shows of the season, only two are listed as increase concerns about violence. It is possible to create popular programs that do not revive to inappropriate uses of violence. Advisories need to be more consistently practice here.(U.C.L.A. 13)         Ultimately, however, it was the regulatory... If you w! ant to get a full essay, order it on our website: OrderCustomPaper.com
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